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1979) of the octagonal stencil typeface Depot Trapharet (2006, brutalist), and of the free car rallye dingbat typeface Rallye Symbols (2008). This was followed by Ornamental Deco 2D (2010, art deco ornaments), Rally Symbols 2D (2010), Mascaron2D (2010, by Iryna Korchuk), Depot Trapharet 2d (2010, a stencil based on the tram lettering in Lviv), Ascetic 2D (2005-2010), Hutsulyandiya (2010, extraordinary ornaments by Iryna Korchuk), Simeon (2010, calligraphic), Cranked Pipe 2D (2011), Tripyllia 2D (2011, ornaments of the neolithic Trypillya culture), and Ukrainian Barokko (2010, a calligraphic typeface by Genadij Zarechnjuk), Historism Border (2011, border ornaments), Moreske 2D (2012, ornaments), Geomanticus (2012, modular squarish sans). Dan Solo's typefaces listed in decreasing order of popularity. Parisienne was finished during her graphic design studies at ESAG Penninghen, Paris. Chocolate (2005) is a flexible, monoline comic book family. Eva Antiqua SG is an exquisite family based on the 1922 Klingspor model by German designer Rudolf Koch (known as Koch Antiqua or Locarno). The first typeface at 2D typo was the modular pixelish Pressure Drop 2D (2010). [ Creator of the art nouveau typeface Parisienne (2014), which is based on the Metroplitain typeface of Hector Guimard. 2005, England) showcases the work of founder Geoff Anderson, who wants to maintain legibility without compromising style.Typefaces from 2013: Bandelwerk (borders), Digital Stitch, Modern Wave (ornaments based on Alphonse Mucha), Hopferian (Roman caps after engravings by Daniel Hopfer (1470-1536)---typeface completed with help of Mariya Sokil), Simple Ribbon (art nouveau dingbats). Also: Obsidian (2005, bubblegum or oil slick font), Festival (2005, art nouveau), Dialog (2005, liquid, with stencil versions), Groundhog (2005), Tungsten (2005, futuristic). It also includes Eva Paramount SG, which is a revival of a 1928 typeface, also flared, by Morris Fuller Benton called ATF Paramount. In 1895, Julius Schmohl and Max Rosenow published an upright script with BBS.

Typefaces from 2015: Chenko (2015, a constructivist / brutalist typeface named after Rodchenko), Marazion (a rounded display sans), Castaway, Variety (ransom note font), Nightlife (an amoebic rounded stencil typeface that conjures up neon signs, DNA molecules and jelly beans), Rough Stuff (textured faded stencil typeface), Signpost (a drop shadow version of Red Top). Tonsure Script (a high-contrast connected script), Ticketbook (for movie posters), Suomi Sans (a family with special counters).Typefaces from 2016: Alonquin (art deco: a typographical tribute to Dorothy Parker and the New Yorker crowd who haunted the Alonquin hotel in its 1920s heyday), Cadenza, Exotica (described by Keith as Old World elegance meets Levantine luxury), Oxbridge (vintage compact titling typeface). Vaasa, Finland, 1967) is a Finnish type designer and art director. Creations in 2009: Tar (rounded sans family), Marimekko (a slab family for a Finnish clothing company, adapted from its 1954 Olivetti typewriter roots), Vektori (monoline octagonal), Kaapeli (Tomi's take on Kabel), Suomi Slab Serif (related to American Typewriter), Marimekko Sans, Tee Franklin (gothic sans family, made for The British Vogue---check out the light weight; done with Brian Kaszonyi), Tobacco (octagonal, based on drawing program emulation), Pannartz (based on a scan of a 1476 text by Sweynheim&Pannartz), Suomi Hand (Font Shop), That (4-weight serif family), Talbot (connected script patterned after the Talbot car logo), Taint (modular ink trap face), Tailor (slab serif), Tink, Tale 40, Tale 20, Story 40, Story 20 (all pixel fonts), Tictac (a 3D face), Giro (done on purpose to mimic the ugly Giro d'Italia geometric logo font), Tame (rounded sans), Suomi Script, Explosion (grunge).He created many great fonts, and founded Suomi Type Foundry in 2005. At T-26: Talmud (1998, faux Hebrew), Tyrant Roman (1998, an Exocet-style face, T-26), Tumbler, Torino-Book, Tonic, Terylene, Tension, Teebone, Task-Toobig, Target (2004), Tantalus, Aged (1999), and Taper (2009, slab serif), the experimental sans families Target Recut (2004). 1964, OK): Digital type for computer-aided signmaking, with fonts designed for signmakers by signmakers.Christian Küsters is an ex-student of Matthew Carter at Yale. And by 1929, bold, italic, and open were part of the Ludlow Foundry's beautiful Nicolas Jenson Series. [ Norwegian co-designer with Magnus Rakeng at Millimeter Design of Telenor (2001, sans) for the new corporate identity for Telenor. 1949) is the Creative Director of a UK advertising agency, and during his career has worked as both a copywriter and art director. He created the wavy typeface Calypso (2011), the techno typeface Charta (2011), the sturdy black typeface Anvil (2011), Jazz Age (2011, art deco), and the brush typeface Pagoda (2011).It was reintroduced under a new name, Eusebius, in 1941. 1984) now located in Washington, DC, and before that, in Reston, VA. Still with Rakeng, but now at Melkeveien designkontor, he cocreated Always (2005, a connected 1950's style face, based on Rakeng's very popular earlier typeface Radio) and the Jugendstil style typeface Ålesund jugendstilsenter (2004, based on architect H. In 2012, he published Hollywood Hills, Pier Arcade, Graffix, Skeleton Slab, the art deco typeface Tea Dance, the art nouveau typeface Paris Metro, Oscar Bravo (a heavy octagonal typeface), Café de Paris (a stylish retro--futuristic fifties style typeface), Barrowboy, and the stylish Contessa family.

He created the irregular handwriting font Stefan Handwrite (2006) and an untitled art nouveau typeface in 2014. Typefaces from 2013: Communiqué (rugged stencil face), Regency (influenced by Americana and Optima, it is a flared very humanist sans), Alma Mater (athletic lettering), Showbiz (inline typeface), Dynatron (retro sci-fi font), Mechanoid (elliptical techno sans), Canterbury (inspired by the shapes of the cathedral), Export Drive (a bold condensed cargo stencil), Soft Rock (bold condensed sans), Red Top, Colossus (an elliptical typeface that is a bit squarer than Microgramma), 4Square (elliptical), Aspidistra (art nouveau), Home Grown.Typefaces from 2014: Belvedere, Joe Cool (a bold masculine headline typeface in the genre of Impact), Gravitas (a Bauhaus / futurismo typeface), Rock Face (sticky tape typeface). His typefaces, suboptimally grouped: Creations in 2010: Tenner (very plump and round, good for signage), Tart Heavy (fat slabs to drool over), That (a display family, +Open, +Irregular, +Bold), Thud (an industrial belt octagonal/mechanical family), Steelworks (a sturdy mechanical sans), Taste This (sans family), Telltale, Titillation (rounded), Tide (connected script emulating ink flow), Taffee (narrow sans), Televisio, Tournedot (a very cute and lively semi-serif headline face), Tempest, Tristan (hand-printed), Cider Script, Toffee Script (after an art nouveau typeface called Regina Cursive).In 2014, Dmitry Rastvortsev, Lukyan Turetsky, and Henadij Zarechnjuk cooperated on the design of the free Latin / Cyrillic handwriting typeface Kobzar KS, which is based on the handwriting of Taras Shnvchenko, a famous Ukrainian poet, artist and philosopher. Images of selected typefaces: Agency Gothic, Alpha Midnight, Alpha Twilight, Anita Lightface (1977), Art Deco Display Alphabets, Ashley Crawford, Ashley Inline, Astur, Bamberg, Banco, Beans, Blackline, Bobo Bold, Braggadocio, Broadway Engraved, Busorama Bold, Busorama Light, Bust, Charger, Checkmate, Colonel Hoople, Corral, Dudley P Narrow, Dynamo, Earth 9a futuristic / prismatic typeface revived by nick Curtis in 2015 as Terranova NF), Eclipse, Empire, Ewie, Fat Cat, Fatso, Festival, Futura Black, Futura Inline, Gillies Gothic Bold, Greeting Monotone, Grooviest Gothic, Hess Neobold, Hotline, Huxley Vertical, Inkwell Black, Joanna Solotype, Joyce Black, Koloss, Lampoon, Mania, Mania Contour A, Mania Contour B, Margit, Mindy Highlight, Modernistic, Monograms Stencil, Mossman, Neon, Neuland (+Inline), Phosphor, Piccadilly, Pickfair, Polly, Prismania P, Quote, Rhythm Bold, Shady Deal, Sheet Steel, Sinaloa. In 2014, Spiece Graphics created a digital version of it, Milroy Upright SG.Typefaces from 2015: Finetitle (ornaments for headers), Gothic Herbarium (a floriated ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin (1812-1852)), Old Depot (rough stencil), Francesca (decorative caps). [ Dutch type historian who collected many art nouveau type specimen, including some rare alphabets drawn by the Rotterdamse Schilderschool. The Solotype Catalog is a file with information on Dan Solo's typefaces, annotated with remarks about name equivalences and digitizations. Nicolas Jenson SG: a large text family about which Spiece writes: It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923.Typefaces from 2016: Dubster (which he describes as a technocratic modular font). Nadeem Muzaffar's Bibelot (2010, a custom typeface) is based on one of these alphabets. The original file was due to Thibaudeau, but typophiles on alt.binaries.fonts have added to it in 2010. Similar in spirit to other early twentieth century revivals such as Centaur, Cloister Old Style, and Italian Old Style, Nicolas Jenson is distinguished by its pristine and delicate nature.[ Started in 1996, by Christian Küsters and Andy Long (from South London), ACME Fonts is a London-based foundry, offering fonts by Küsters and these designers: Anthony Burrill, Gérard Paris-Clavel&Johannes Bergerhausen, Jean-Lou Désiré, Paul Farrington, Robert Green, Paul Kehra, Henrik Kubel, Simon Piehl, Alex Rich, Carsten Schwesig, Sandy Suffield, Dirk Wachowiak, Anne Wehebrink and Paul Wilson. A gifted young apprentice to Detterer, Robert Hunter Middleton, greatly expanded the family. His foundry is Studio K: The foundry specialises in display fonts designed primarily for advertising, publishing, product packaging and signage.